Emily Bear

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Andrea ist in Los Angeles für die Proben für „Fiddler on the Roof“, das im Juni sechsmal aufgeführt wird.

Wer ist das Mädchen?

https://www.instagram.com/p/C6sXLqXu...en&img_index=1

https://www.instagram.com/p/C66_D51S...en&img_index=1

https://www.instagram.com/p/C7VY0LsRJ6A/?hl=en

Am Samstag war Premiere

hier ein bisschen Gesang von Mama Bear ...von der ersten Orchesterprobe..

https://www.instagram.com/reel/C7rhT...U2dWd3cmt5MA==



EDIT: Bitte kein INSTA-BB-Code hier verwenden!

https://www.instagram.com/p/C7uSfk9vyBu

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Sie vertont wohl wieder einen Netflix Film und hat grundsätzlich die Idee uns ihr bei dem Prozess über die Schulter schauen zu lassen..ein Like auf tiktok um Interesse zu signalisieren wäre also nicht schlecht.

https://vm.tiktok.com/ZGeVKwoAx/

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Sie vertont wohl wieder einen Netflix Film und hat grundsätzlich die Idee uns ihr bei dem Prozess über die Schulter schauen zu lassen..ein Like auf tiktok um Interesse zu signalisieren wäre also nicht schlecht.

https://vm.tiktok.com/ZGeVKwoAx/

https://www.youtube.com/watch?v=qO20x6qFuqk

Jetzt auch auf insta

https://www.instagram.com/reel/C7z8O...JtM2tlZHk5Zjhs

[ursus]

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Nachdem Emily für Netflix angeheuert wurde, um zwei Filme zu vertonen, ist mir klar, dass Emily und Netflix aufgrund der Vorkommnisse beim Unofficial Bridgerton Musical keinen Groll gegeneinander hegen.

Ich hoffe, dass es in diesem Film nicht um einen Hund geht – insbesondere nicht um einen Dackel.

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Nachdem Emily für Netflix angeheuert wurde, um zwei Filme zu vertonen, ist mir klar, dass Emily und Netflix aufgrund der Vorkommnisse beim Unofficial Bridgerton Musical keinen Groll gegeneinander hegen.

Ich hoffe, dass es in diesem Film nicht um einen Hund geht – insbesondere nicht um einen Dackel.

Irgendjemand..ein großer Account.. ne Platform muss das reel geteilt haben…
41.000 mehr Follower auf insta..200.000 geknackt

und eh jetzt jemand….es scheinen wirklich alles echte Accounts zu sein

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Irgendjemand..ein großer Account.. ne Platform muss das reel geteilt haben…
41.000 mehr Follower auf insta..200.000 geknackt

und eh jetzt jemand….es scheinen wirklich alles echte Accounts zu sein

Das ist ein erstaunlich großer prozentualer Anstieg.

Ich hätte gedacht, dass einige der Kommentare Hinweise darauf geben würden, was sie zu diesem Beitrag geführt hat, aber ich habe keinen gefunden.

Ich habe einen Kommentar von Kristin Chenoweth gelesen, die ich noch nie zuvor unter einem von Emilys Posts kommentieren gesehen habe. Vielleicht ist sie im Film. Interessant ist, dass Emily ihr nicht folgt, Abigail jedoch schon.

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Das ist ein erstaunlich großer prozentualer Anstieg.

Ich hätte gedacht, dass einige der Kommentare Hinweise darauf geben würden, was sie zu diesem Beitrag geführt hat, aber ich habe keinen gefunden.

Ich habe einen Kommentar von Kristin Chenoweth gelesen, die ich noch nie zuvor unter einem von Emilys Posts kommentieren gesehen habe. Vielleicht ist sie im Film. Interessant ist, dass Emily ihr nicht folgt, Abigail jedoch schon.

im Moment weiter auf 219.000 gestiegen

„I‘ll be doing weekly scoring updates - so stay tuned children“ (das Zurückspiegeln von Selfies ist wirklich nervig…lol..das sollte doch Gen Z selber hinbekommen )

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Sie vertont wohl wieder einen Netflix Film und hat grundsätzlich die Idee uns ihr bei dem Prozess über die Schulter schauen zu lassen..ein Like auf tiktok um Interesse zu signalisieren wäre also nicht schlecht.

https://vm.tiktok.com/ZGeVKwoAx/

https://www.youtube.com/watch?v=qO20x6qFuqk

Jetzt schon 242.000 Follower

Teil 2

https://www.instagram.com/reel/C8FxN...hmcWl4bnMzZA==

https://www.youtube.com/watch?v=1BsAKwm6aaw

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Disney’s ‘Moana 2’ Footage Introduces Moana’s Little Sister, Reveals Sequel’s Timeline
Annecy: The first details from the highly anticipated sequel were revealed by directors David Derrick Jr. and Jason Hand

https://www.thewrap.com/moana-2-footage-description/

“Moana 2” is nearly here and the sequel got its sea legs at the Annecy International Animation Film Festival, where directors David Derrick Jr. and Jason Hand showed off the first footage from the film on Friday, introducing the crowd to new characters, new songs and new adventure. This looks like a much bigger film than the first movie in every way – more characters, a bigger boat, larger scale – but it also appears to retain what made the first film so charming and effective.
The first footage that was shown was a musical sequence called “We’re Back,” which has Moana (once again voiced by Auliʻi Cravalho) returning from her latest seafaring voyage. Obviously, the song, by Abigal Barlow and Emily Bear, has another meaning since Moana – the character and the franchise – is also returning. But there’s a lot of story that is relayed through the song, as we see various villagers who (spoiler alert!) later become part of Moana’s team, reveling in her accomplishments. They recount her exploits with Maui (Dwayne Johnson), talk about how she’s opened the island and has generally gone beyond her position as the daughter of the village chief. She is so much more.

The next bit of footage introduced Simea, Moana’s little sister. The sequel, Derrick and Hand announced, takes place three years after the first movie but Simea seems to be older than that and the other characters have aged more prominently (Moana’s dad has streaks of grey, Moana herself has been subtly redesigned). Moana and Simea are the closest siblings imaginable, they refer to each other as “Big Sis” and “Little Sis” and Moana’s mission – to make a connection with another island — takes on an even greater importance as she is trying to forge a better future for her little sister.

At a ceremony where her father, the village chief, is going to pronounce Moana “Tautai” – the master of man and sea – lighting strikes the hut. It sends Moana a vision from the distant past and has her commune with the last Tautai, who warns her of a terrible threat. There is a mysterious island called Motufetu that connects all of the Polynesian islands together but it is guarded by a jealous God of Storms. In order for her to defeat the god and open this important island up again, she’s going to have to go on another go-for-broke mission, this time recruiting members of her tribe – including a young woman who designs and maintains the ship named Loto, an elder statesman of the community responsible for the vegetables named Kele and a young storyteller (and Maui fanboy) named Moni. Oh and Hei-Hei the very dumb chicken and her pig pal Pua (now sporting an adorable tiny tusk) also make the trek.

Along the way, they encounter the Kakamora, the little coconut creatures and a giant clam with dangling, Lovecraftian tentacles. One of the Kakamora ships is consumed by the beast and Moana and her crew try to get away before being poison-darted by the Kakamora. While we didn’t see the footage of this, apparently one of the Kakamora, named Kotu, also joins the quest to find Motufetu and defeat the God of Storms. As you do.

But where’s Maui? Well, this is a good question. And there was a notable absence of Maui in the footage that was screened at Annecy, but before the presentation ended, Derrick and Hand showed a brief clip that involved everybody’s favorite demigod.

In the sequence Maui (once again voiced by Dwayne Johnson) is seen in some kind of cave, next to a large pearl (our guess this is the inside of the hulking clam that was threatening Moana in an early sequence). Maui is being taunted by a largely unseen presence, who talks about how him making Moana a wayfinder has proved a larger threat to their plan. (This unseen presence, voiced by an as-yet-unidentified Australian actress, works for the God of Storms.) There’s something going on in this scene, because Maui is saying that he only used Moana to get his magic hook back. There’s no emotion or sentimentality there. Maybe he’s trying to protect her? It’s a really interesting scene and speaks to the complicated interpersonal dynamics that they are going for in “Moana 2.”

“Moana 2” was, of course, adapted from a TV series that was originally meant to go directly to Disney+. When Disney executives saw the footage coming in (and heard the songs), they made the decision to turn what would have been a limited series into a movie. And there was nothing in the footage screened at Annecy that screamed “television.” If anything, this is a much bigger, more complicated movie, both visually and from a storytelling perspective.

Both Walt Disney Animation studios – the main hub in Burbank and the satellite studio in Canada – are being utilized for “Moana 2,” which tells you the ambition of the follow-up. (Derrick and Hand described it as “one studio, two locations.”) And that ambition was felt in the footage that was shown, with lush, fluid animation and an intriguing tale that feels like exactly the kind of follow-up people have been asking for.

It would be easy to write off the movie as a cynical corporate maneuver, deployed at a time when Disney stock was teetering precipitously. But what it was very clear from the presentation, both in terms of the passion of the filmmakers (who are joined on the film by a third director, Dana LeDoux Miller, who is also writing alongside Jared Bush) and the absolute gorgeousness of the animation, that they’re putting a heavy emphasis on quality here. What could have been a heartless cash grab is instead about the search for connection in an increasingly disconnected and lonely world, a concept both timeless and shockingly relevant. That line where the sea meets the sky? It’s “Moana 2.”


https://www.cbr.com/moana-2-plot-new-characters-annecy/

The directors showed some footage that is still not in its final form and introduced the film's opening song, an original piece from Abigail Barlow and Emily Bear, playing as Moana returns home to her village after making a new discovery. The footage also introduced exciting new characters: Moana's younger sister, and members of Moana's future crew, which will be bigger than her pet rooster Heihei. The Kakamora tribe also makes an appearance for a tense encounter.


https://www.hollywoodreporter.com/mo...cy-1235922781/

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Dave Derrick & Jason Hand - Moana 2 - Interview (EN)


00:25 - Did you know Moana has another name here in France?
00:48 - How do you manage to have fun and go with the story, but also respect all this cultural legacy?
02:05 - Were there challenges and breakthroughs in the evolution of Moana character's arc in the sequel?
03:33 - Any animation techniques that weren't available for the 1st one that you used in the 2nd one?
06:09 - Tomorrow will be the first meeting with Annecy’s audience. How will you sleep tonight?
07:15 - How will this be a step? How will its influence the rest of the work?
08:15 - Will you present us some musical works, too?
09:10 - Moana is deeply connected to nature and ocean. Tell us how did you vibrate on this topic?
11:25 – What special memories of Annecy are you going to bring back home?


https://www.youtube.com/watch?v=pluJOVTV-u8

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Teil 3

Behind the scenes einer Filmmusik

„week 3 of living in my studio“
https://www.instagram.com/reel/C8aF2...5kdmtzN2R5Zm1s

https://www.youtube.com/watch?v=VmubEI3hZpA

[ursus]

Als Emily 2015 für die Jazz Open in Stuttgart war, machte sie eine Stadtführung. Sie hielt an einem Kinderspielplatz, wo ein Schild darauf hinwies, dass sie noch jung genug sei, um dort zu sein. Hat jemand den YouTube-Link? Ich habe ihn weder hier noch im englischen Message Board gesehen.

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Als Emily 2015 für die Jazz Open in Stuttgart war, machte sie eine Stadtführung. Sie hielt an einem Kinderspielplatz, wo ein Schild darauf hinwies, dass sie noch jung genug sei, um dort zu sein. Hat jemand den YouTube-Link? Ich habe ihn weder hier noch im englischen Message Board gesehen.

In diesem Beitrag vom SWR taucht das Schild vom Spielplatz auf (00:55).

https://www.youtube.com/watch?v=B71f91EBBTU

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In diesem Beitrag vom SWR taucht das Schild vom Spielplatz auf (00:55).

https://www.youtube.com/watch?v=B71f91EBBTU

@ursus ich hatte damals den Original youtube link des SWR geteilt…die haben den aber mittlerweile gelöscht.

Aus einem anderen Grund musste ich gestern an das BIX Konzert denken.

https://www.watson.ch/sport/fussball...afe-fuer-yamal

„Gemäss deutschem Jugendschutzgesetz dürfen Minderjährige nämlich nicht nach 20 Uhr arbeiten. Am Donnerstagabend spielte der Barcelona-Star mit Spanien gegen Italien, Anpfiff war erst um 21 Uhr. Zwar gibt es für Sportlerinnen und Sportler eine Ausnahmeregelung, nach welcher sie bis 23 Uhr im Einsatz stehen dürfen, doch diese Zeit hielt Yamal wohl auch nicht ein.“

Emily spielte ja im BIX in Stuttgart nach Justin Kauflin..ich fragte mich schon damals, wie das die Veranstalter gemacht hatten..denn ihr Auftritt endete auch kurz nach 23 Uhr..und sie gab ja anschließend noch Autogramme. Und sie war ja erst 13.

[2075manuel]

Vielleicht: Für Emily gilt ne amerikanische Zeitzone :p